Exposure regulated integrated amplifier super xv and betting

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If you simply want an outstanding amplifier though, it delivers on that brief with bells on. Pros Outstanding performance comparable with rather more expensive rivals Solidly made Easy to use and live with Cons Not as flexible as some rivals Looks a bit prosaic Headphone amp is merely 'pretty good' Introduction - What Is the Exposure ? The Exposure is an integrated amp. It is in fact, one of the most outwardly traditional integrated amps I have tested in quite a while.

As we shall cover, if you are looking for new topologies, exciting spreads of inputs and other surprise and delight features, you have come to the wrong place. If we place credence in the notion that every action has an equal and opposite reaction, the Exposure is the anti NAD C The thing is, this should not be a surprise. Exposure has decades of experience under its belt. It has made some fabulous products in that time but it is rare to call any of them truly radical.

The replaces the long running which was also a conventional, class AB based integrated amplifier with a largely traditional specification. None of that altered the not inconsequential detail that the was still is in fact , one of the great integrated amps you could buy for quasi sensible money. Happily, the newness of the means I can review it and here it is. Can this straightforward amplifier cut it in a world where the competition can do all manner of clever and innovative things?

Is it really better than one of the finest amps of the last twenty years and is it the device you need when there are so many talented and transcendent options available in the same price point? A short walk and maybe a cup of tea is needed before I dive into the dense and intimidating feature sets of some of the products that have sat in my equipment rack of late.

This is not one of those occasions. The is an amplifier. It amplifies things. You can in fact amplify six things that have RCA outputs. It is not as determinedly minimalist as the Musical Fidelity M2si - the all time champion of does exactly and only what it says on the tin style minimalism - but there is not that much in it.

The AV input can be set to behave as a normal line input or with the preamp bypassed for use in an AV context. Specs-wise, too, the integrated amplifier could have been plucked from the pages of the Hi-Fi Yearbook although key areas of the preamp circuit design, and even the choice of power transistors, have witnessed a process of evolution and improvement over the decades. Otherwise Exposure operates under the very sensible 'if it isn't broken, don't fix it' school of engineering.

All of these are single-ended RCA connections, accompanied by two sets of loudspeaker outputs for which Exposure took a bold step — instead of multi-way binding posts, the accepts banana plugs only. Hot Topic The installation is self-explanatory for anyone who has ever set up a basic system, which adds to the delicious blast-from-the-past ambience. The lack of phono or DAC modules in our sample made my life even easier, and I immediately set it up with feeds from an SACD player, a CD player, an open-reel deck and a turntable-via-phono-amp.

Despite the closed nature of all integrated amplifiers, the does encourage growth over the years, as its doubled-up pre-out and speaker outputs suggest, while a detachable mains cable also begs for experimentation. These, too, recall the mind-set, zeitgeist and status quo of the early days of Exposure, when cables, bi-wiring and other tweaks were hot topics, and even audiophiles on a tight budget expected an element of flexibility.

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But Exposure has been around for close to 50 years, so this isn't some exercise in retro from an arriviste brand with cod heritage. Rather, the is a device for reminding people like me of hi-fi life in simpler times. Dual 4mm speaker cable sockets support bi-wiring but are for banana plugs only — no bare wire or spade lugs here!

Specs-wise, too, the integrated amplifier could have been plucked from the pages of the Hi-Fi Yearbook although key areas of the preamp circuit design, and even the choice of power transistors, have witnessed a process of evolution and improvement over the decades.

Otherwise Exposure operates under the very sensible 'if it isn't broken, don't fix it' school of engineering. All of these are single-ended RCA connections, accompanied by two sets of loudspeaker outputs for which Exposure took a bold step — instead of multi-way binding posts, the accepts banana plugs only. Hot Topic The installation is self-explanatory for anyone who has ever set up a basic system, which adds to the delicious blast-from-the-past ambience.

The S2D preamp stage now sports a new circuit board with all discrete components rather than op-amps , while the power amp boasts a fast bipolar transistor output stage four bipolar devices per rail and the new power supply adds extra stages of regulation. The volume control is a fine Alps potentiometer. Owners can also select from a pair of options: an mm or mc phonostage, or a plug-in DAC board.

My review unit came equipped with the latter. Setup was a snap and performance was even snappier with very good transparency, smooth quick transients, and solid dynamics. However, like many of you, my other impulse is to grab all the symphonic heavy-hitters in my record collection and throw the whole sonic kitchen sink at the product.

It was difficult to hold back with the Exposure—right out of the box, its clarity, tonal authority, and timbral authenticity immediately captured my attention. There was a superb combination of poise, densely textured midband detail, and dynam-ically authoritative overall energy.

Female and male vocals had realistic body in a distinct sense of place—with both feet on the ground, so to speak. Could the sound have used a bit more top-end air? I think so, but importantly, there was a sweetness to the S2D that was especially pleasing on full-bodied, resonant, acoustic instruments such as cello and bass viol.

Bass response was equally musical and balanced with hints of tube-like warmth but all the while maintaining the tautness, pitch stability, and control that are the essence of a modern solid-state performer. Considering your room size is also important. In sonic colorations, the Exposure kept its nose clean.

Its minor sins were subtractive at best. Substituting the likes of a Pass Labs or an MBL Corona C51 restored a soundstage dimensionality and harmonic authority which the Exposure had backed off slightly.