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The video looks great, as it should. Now I want to edit a trailer for that movie I edit in Adobe Premiere Pro, current version , and for fast playback I need to work with proxies or transcode the source file to an intra-frame non long GOP file and use it as the source file hopefully as lossless as that transcoding step can be.

I tried for several days to transcode the source file to DNxHR 10 bits using FFmpeg and then Adobe Media Encoder , but the result was always a video with the colors messed up sometimes very washed out, sometimes over saturated. The transcoding involved upsampling since the source file is and DNxHR doesn't support it, but I tried upsampling to and also to , and both of those files looked exactly the same to me, and very different from the original footage so, I don't think upsampling is the cause of the color issue, but maybe the apparent color space change or something wrong with the metadata.

The results were the same when transcoding with Adobe Media Encoder. Anyway, I seem to have given up transcoding to DNxHR and use it as the source file, unless someone has an idea of what's causing this problem. I could have worked with the source file for exporting and DNxHR LB for proxies, but there were sync issues between source file and proxy that defeated all purposes while editing.

Prores is out of the picture, sync issues were worse several seconds of delay. Well, like I said, I'm giving up using DNxHR as the source file for my project it would have been ideal since it doesn't have sync issues with the DNxHR proxies, and file size is not a problem for me.

A user here at the forums suggested transcoding and use H. I'm aware that one should avoid unnecesary transcoding steps, but I can't work with a H. So, bottom line, I need to find a way to fix the color issue when transcoding to DNxHR, or try with an inter-frame codec that's not DNxHR and that's capable of preserving all the HDR info and then see if it doesn't have sync issues. I'm assuming that those may dissapear when using intra-frame for both source file and proxies. So apparently the color space was really reduced to BT, and I don't know why.

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